Millie Bobby Brown spent the evening playing a buttoned up Victorian detective, then changed into something that belonged to an entirely different century. After the New York premiere of Enola Holmes 3, the actress turned up at the after party in a sheer two piece that traded period costume for one of the boldest looks of her grown up red carpet era.
The set came from Mirror Palais, the label that has made barely there romance its signature. Brown wore the Amantes long sleeve top and matching skirt in a caramel shade called Caramelo, a pairing built almost entirely from transparent mesh. The effect was less a dress than a suggestion of one, soft and golden against the skin.
A look built on illusion
What kept the outfit from being simply see through was the craft underneath it. The top opened into a plunging neckline with long sheer sleeves, while the slip skirt sat low on the hips and left the midriff bare. Across the front, sides and hem, hand sewn French lace appliques bloomed over the mesh, cut so the flowers seemed to float directly on the body rather than rest on fabric.
The skirt blended stretch silk charmeuse with sheer panels, a mix that gave the piece weight where it needed structure and air everywhere else. It is the kind of construction that reads as effortless from across a room and reveals its detail only up close, exactly the trick that has made the Mirror Palais aesthetic so popular among a younger Hollywood crowd.
